Hueman: Veiled Intent


Mirus Gallery Denver is pleased to present the solo exhibition of HUEMAN.  The exhibition opens Saturday September 8th, 7-10pm and runs through September 29th, 2018. VIP and Press is open Saturday September 8th, 5:30-7pm.  Exhibition is free and open to the public.

About the Exhibition: Veiled Intent

Hueman: A Palette of Light and Shadow

Hueman is acclaimed for her sublime color sense, a palette that is somehow both saturated and diaphanous, and her inimitable style of merging expressive abstraction with elements of rarefied portraiture. But just as imperative for the painter, whether out on a wall or at the easel in the studio, is an intimate interest in painting’s qualities of surface, texture and the movement of light across, and through, an image.

In her new works for “Veiled Intent” Hueman deftly and innovatively explores how transparency and opacity operate in animating a composition’s surface. In mixed media paintings made using acrylic and spray paint on stretched sheer organza, Hueman more fully embraces the tumultuous, emotional, evocative potential of abstraction, sublimating her figures and faces within that volatile chromatic universe. “In this series,” she says, “humans are merely shadows or ghosts,” whose burning energy has left an imprint on the material world they’ve left behind.

There are echoes of the Catholic devotional art which Hueman experienced growing up -- expressed as aesthetic influences from Renaissance textiles and drapery to the bright flourishes of illuminated manuscripts, as well as in a more general motif of spiritual experience. In this new evolution of her style, she is equally inspired by more conceptual contemporary art historical traditions of California Minimalism and Light and Space artists like Robert Irwin and James Turrell -- artists using innovative materiality in their explorations of pure color and ambient light. 

The images change as you move around and across them, and there’s a further quasi-illusion of dimensional space, the generation of an expanded picture plane, because the light refracts behind the organza and off the wall, activating the actual architecture and creating a kind of analog lightbox effect. Hueman channels a bit of physics in these aspects, such as Einstein’s Theory of Relativity and the conceptualization of Spacetime as the fabric of the universe, susceptible to bursts of energetic distortion.

Because of the sheer surface of the organza material Hueman is working with, some parts of the paintings are opaque, while some remain transparent. Augmented by the vibrations of oppositional gradients in the color schemes, different places in each image engage the light differently. This affects the image itself, highlighting its abstract or figurative elements, rendering its aspects seemingly ephemeral, imparting the illusion of disappearance and emergence. In this way, these assertive yet delicate works both portray and in themselves embody a powerful metaphor for the ephemeral nature of existence itself.

-Shana Nys Dambrot          Los Angeles, 2018

 

About the Artist:

The work of Allison, aka HUEMAN, is woven out of both pure sensibility and hard edge method of working with the spray can. Whether she is creating delicate versions on canvas, or crushing massive walls with a spray can, she often draws on the human condition to create colorful mash-ups of the abstract and figurative, and the beautiful and grotesque. HUEMAN’s unique freestyle process involves creating tightly refined compositions from a spontaneous beginning of paint splashes, drips, and sprays. Through this method she is interested in creating motion and dimension on flat, two dimensional surfaces, and her layered works can be seen on public walls and in galleries worldwide. Her work is shaped by a free association approach, so she produces dream-like disrupted compositions which represent almost hybrid beings or shapes in the state of emotional chaos or calmness. HUEMAN has quickly established her position in the male-dominated street art branch.

Captivating and Sensitive Abstraction

HUEMAN was born in 1985, in the Bay Area town of Daly City. From an early age, she was exposed to the Oakland and San Francisco street art scene. Eager to follow those influences, she attended and graduated from the University of California, Los Angeles in 2008 with a degree in Design and media Arts. She coins her art moniker by combining two words – hue and human, after the artist had gone through a difficult time in her life.

Her work can be seen on walls and galleries worldwide, so it is no wonder her work has been featured on CNN, The History Channel, Complex, Juxtapoz, Hi-Fructose, etc.

Expressing Emotions Through Cyber Bodies

HUEMAN proudly brought femininity to a movement that can be juxtaposed to the gracefulness of her work. Working with bright colors and elements of abstract portraiture led her to develop distinct compositions which are on the brink of imagination. Her work can be likened to the ever-expanding digital technology and how it relates to the body and emotions.

It’s as if the bodies got stuck somewhere between real and virtual space. Sensual, somehow eroticized and sinister figures are struggling to position themselves, to become rooted, which suggests the artist own quest to define her own identity.

Being HUEMAN

The artist’s spanning career had a turning point with the Nike commissioned portrait of Kobe Bryant, a mural for P Diddy’s Revolt TV office and Ritual, a 9-day, free-styled, floor to ceiling mural installation in a 5,000 sq foot warehouse space. On the other hand, it was HUEMAN who was one of the first artists commissioned to paint a mural after Los Angeles authorities lifted their street art ban in 2013. The next year she was named on of LA Weekly’s People of the Year and was featured on a limited-edition cover of the issue. 

 

Located at:  1144 Broadway, Denver, CO 80203

303.910.4005

@mirusgallery

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